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Tate Modern Exhibition

Duchamp, Man Ray, Picabia

21 February – 26 May 2008

Free for Members

This revelatory exhibition brings together three of the greatest figures of twentieth-century art: Marcel Duchamp, the father of Conceptual art and creator of the readymade; Man Ray, an artist who produced some of the most celebrated photographs of the modern era; and Francis Picabia, a flamboyant French painter famous for defying the conventions of ‘good taste’.

Duchamp, Man Ray and Picabia were the leading figures in the New York Dada movement, rebelling against the norms of traditional art. They became friends and, as the exhibition shows, their friendship influenced the direction of their lives and their art. A powerful intellectual chemistry allowed them to respond freely to each other’s ideas in an artistic dialogue filled with in-jokes and innuendos.

Focusing on periods of collaboration and highlighting their common interests, Duchamp, Man Ray, Picabia explores the intriguing connections between these three pioneering figures. This major exhibition includes many icons of modern art. It features Duchamp's Nude Descending a Staircase (No 2) 1912, which caused a furore when displayed in New York, his famous Fountain 1917, and a parody of the Mona Lisa, L.H.O.O.Q. 1919. Also included are Man Ray’s innovative experiments with the camera, such as his Rayographs and early films, as well as Picabia’s early abstract paintings and late erotic nudes.

Tate Modern

Bankside
London SE1 9TG
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Dates

21 February – 26 May 2008

Pricing

Free

Supported by

Terra Foundation logo

American Patrons of Tate

In partnership with

Times Newspapers Ltd

Find out more

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The unholy trinity

Bernard Marcadé

To coincide with the first exhibition to explore the inter-relationship between Duchamp, Man Ray and Picabia, to be staged at …

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An Unpublished Drawing by Duchamp: Hell in Philadelphia

Jennifer Mundy

This paper discusses a hitherto unpublished drawing by Marcel Duchamp (1887–1968) that relates to his masterwork The Bride Stripped Bare …

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Military Avoidance: Marcel Duchamp and the 'Jura-Paris Road'

Kieran Lyons

The essay traces military relationships in the work of Marcel Duchamp (1887–1968), paying particular attention to his notes of 1912 …

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'All artists are not chess players – all chess players are artists' Marcel Duchamp

Allan Savage

To coincide with the first exhibition to explore the inter-relationship between Duchamp, Man Ray and Picabia at Tate Modern, Allan …

Marcel Duchamp The Bride Stripped Bare by her Bachelors Even (The Green Box); La Mariée mise à nu par ses célibataires même (Boîte verte)
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From the Green Box to Typo/Topography: Duchamp and Hamilton’s Dialogue in Print

Paul Thirkell

This paper examines Marcel Duchamp's use of the collotype printing process for publishing the contents of his Green Box and …

Artist

Marcel Duchamp

1887–1968

Artist

Man Ray

1890–1976

Artist

Francis Picabia

1879–1953

Artwork

Fountain

Marcel Duchamp
1917, replica 1964
Artwork
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